Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts and Letters, National Endowment for the Arts, New York State Council on the Arts and the Tiffany Foundation. He has had over fifty one-person exhibitions in museums and galleries throughout the United States and Europe. His work is in the permanent collections of more than thirty museums, including the Whitney Museum of America Art, the Museum of Fine Arts in Boston, the Museum of Modern Art in New York and the Metropolitan Museum of Art. He served as President of the National Academy of Design from 2001-2005. He is a founding board member of the CUE Art Foundation and served as the CUE Art Foundation's Curator Governor from 2002 to 2015. Amenoff has taught at Columbia for twenty years, where he holds the Eve and Herman Gelman Chair of Visual Arts and was Chair of the Visual Arts Division from 2007-2013.
In 2011 he received the John Simon Guggenheim Fellowship Award.
Jaune Quick-to-See Smith
Jaune Quick-to-See Smith is one of the most acclaimed American Indian artists of today. Smith has had over 110 solo exhibitions and offered more than 225 lectures in the past 40 years and has done printmaking projects nationwide. Over that same time, she has organized and/or curated over 30 Native exhibitions, and lectured at more than 200 universities, museums and conferences internationally, most recently at 5 universities in China. Smith has completed several collaborative public art works such as the floor design in the Great Hall of the new Denver Airport; an in-situ sculpture piece in Yerba Buena Park, San Francisco and a mile-long sidewalk history trail in West Seattle and recently, a new terrazzo floor design at the Denver Airport.
Smith uses humor and satire to examine myths, stereotypes and the paradox of American Indian life in contrast to the consumerism of American society. Her work is philosophically centered by her strong traditional beliefs and political activism. Smith is internationally known as an artist, curator, lecturer, print-maker and professor. She was born at St. Ignatius Mission on her Reservation and is an enrolled Salish member of the Confederated Salish and Kootenai Nation of Montana. She holds 4 honorary doctorates from the Pennsylvania Academy of the Arts, the Minneapolis College of Art and Design, Mass College of Art and the University of New Mexico. Her work is in collections at the Whitney Museum, the Metropolitan Museum, the Brooklyn Museum, Smithsonian American Art Museum, the Walker, the Victoria and Albert Museum, London, the Museum of Modern Art, New York, Museum for World Cultures, Frankfurt, Germany and Museum for Ethnology, Berlin. Recent awards include a grant from the Joan Mitchell Foundation to archive her work; the 2011 Art Table Artist Award; Moore College Visionary Woman Award for 2011; Induction into the National Academy of Art 2011; Living Artist of Distinction, Georgia O’Keeffe Museum, NM 2012; the Switzer Award 2012; Woodson Foundation, Lifetime Achievement Award, Santa Fe 2014; National Art Education Association, Ziegfeld Lecture Award 2014. In 2015 she received an honorary degree in Native American Studies from Salish Kootanai College, Pablo, MT.
Artist, critic, and curator. Mr. Storr received a B.A. from Swarthmore College in 1972 and an M.F.A. from the School of the Art Institute of Chicago in 1978. He was curator and then senior curator in the Department of Painting and Sculpture at the Museum of Modern Art, New York, from 1990 to 2002, where he organized thematic exhibitions such as Dislocations and Modern Art Despite Modernism as well as monographic shows on Elizabeth Murray, Gerhard Richter, Max Beckmann, Tony Smith, and Robert Ryman. In addition, he coordinated the Projects series from 1990 to 2000, mounting exhibitions with Art Spiegelman, Ann Hamilton, and Franz West, among others. In 2002 he was named the first Rosalie Solow Professor of Modern Art at the Institute of Fine Arts, New York University. Mr. Storr has also taught at the CUNY graduate center and the Bard Center for Curatorial Studies as well as the Rhode Island School of Design, Tyler School of Art, New York Studio School, and Harvard University, and has been a frequent lecturer in this country and abroad. He has been a contributing editor at Art in America since 1981 and writes frequently for Artforum, Parkett, Art Press (Paris), Frieze (London), and Corriere della Serra (Milan). He has also written numerous catalogs, articles, and books, including Philip Guston (Abbeville, 1986), Chuck Close (with Lisa Lyons, Rizzoli, 1987), and the forthcoming Intimate Geometries: The Work and Life of Louise Bourgeois.
Among his many honors he has received a Penny McCall Foundation Grant for painting, a Norton Family Foundation Curator Grant, and honorary doctorates from the School of the Art Institute of Chicago and the Maine College of Art, as well as awards from the American Chapter of the International Association of Art Critics, a special AICA award for Distinguished Contribution to the Field of Art Criticism, an ICI Agnes Gund Curatorial Award, and the Lawrence A. Fleischman Award for Scholarly Excellence in the Field of American Art History from the Smithsonian Institution’s Archives of American Art. In 2000 the French Ministry of Culture presented him with the medal of Chevalier des Arts et des Lettres and subsequently awarded him the status of Officier in the same order. From 2005 to 2007 he was Visual Arts Director of the Venice Biennale, the first American invited to assume that position. Mr. Storr was appointed Professor of Painting/Printmaking and Dean of the School of Art in 2006 and was named the Stavros Niarchos Foundation Dean in 2014.