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CUE Art Foundation

  • PROGRAMS
    • Exhibitions
    • Arts Education
    • Workshops
    • Art Writing
    • Open Calls
    • Aon-CUE Artist Award
  • ABOUT US
    • Mission & History
    • Staff & Board
  • SUPPORT
    • 2018 Cocktail + Auction
    • Donate
    • Membership
    • Supporters
    • Shop
  • Visitor Information
  • Events
  • Podcasts & Media
  • Catalogues
  • News
  • Space Rental
  • Opportunities
  • Search
CUE Art Foundation

Josh Dorman mentioned in the New York Times

Added on September 19, 2015 by Shona Masarin.

Read the article, "Anna Clyne, a Composer Who Creates With Images," here.

← Newer: Meet our 2015 Gala and Benefit Auction honorees! Older: Josh Dorman in group show at Koplin del Rio →
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CUE ON INSTAGRAM

Join 2019 CUE Curatorial Fellow Mira Dayal tonight at the opening of her solo show "Anagen" at Lubov from 6PM to 9PM. "Anagen" is up through March 3 – catch it while you can! Mira is curating "Formula 1" with Simon Wu, opening at CUE in April. Congratulations Mira! Image: Anagen (detail), 2018–19. Armstrong ceiling tiles in dropped ceiling in gallery, human hair, glue. 90 x 117 x 203 inches (approximately).
You better work, Cal Siegel. Images: Cal taking a rubbing from Karl Marx's grave, Highgate Cemetery, London on 4/15/18; Cal Siegel, “work,” 2018. Grease pencil on graph paper, 8.5 x 18.5 inches. Cal Siegel: I am the box no roof can cover, curated by Sable Elyse Smith, is on view through February 13. #CUEart #calsiegel #Iamtheboxnoroofcancover
Cal Siegel: I am the box no roof can cover, curated by Sable Elyse Smith, is on view through February 13. This body of work confronts what Smith calls "the stench of the colonial legacy embedded in our homes or shapes. Because it is that entrenched—so entrenched that a shape can signal and call forth violence." Pictured: Eight Gables for Mickey, 2018. Wood, acrylic, shingles, 96 x 120 x 12 inches. #CUEart #calsiegel #sableelysesmith
We're getting the shingles ready for #CalSiegel's solo exhibition, "I am the box no roof can cover." Join us at CUE for the opening reception this upcoming Thursday, January 10, from 6-8PM. This new body of work employs visual cues from vernacular colonial architecture to explore the violence and exclusion of American history. House shingles are a recurring theme in Siegel’s work, used to cover large architectural forms of his own creation as well as pre-existing colonial structures in photographic interventions. As curator Sable Elyse Smith writes, “the shingle is as much a drawing tool as it is a skin.” #CUEart #CalSiegel #Iamtheboxnoroofcancover #SableElyseSmith
NYC writers! We are currently looking for writers in the NYC area to write an essay on Mo Kong's upcoming exhibition, on view at CUE in May 2019. The Art Critic Mentoring program provides writers with the opportunity to work with an established art critic appointed by the International Association of Art Critics. Over the course of two months, each writer conducts studio visits with an exhibiting artist and composes a long-form critical essay, which will be published by CUE in a printed exhibition catalogue and online. The deadline to apply is January 15, 2019. Link in bio! #NYC #artcritic #writer
Unloading Cal Siegel's shingled sculpture. Siegel's exhibition, "I am the box no roof can cover," is curated by Sable Elyse Smith and opens Jan 10. 6-8pm.
CUE will be closed from Friday, December 21, 2018 through Monday, January 1, 2019. We are excited to open Cal Siegel: I am the box no roof can cover, curated by Sable Elyse Smith, when we return! Join us for an opening reception on Thursday, January 10 from 6-8pm.Image: Cal Siegel, I am the box no roof can cover (detail), 2018. Archival inkjet print. #CUEart
Congrats to CUE alum Beverly Fishman on her 2018 Anonymous Was A Woman grant! Image: Beverly Fishman, "Untitled (Split Pill / Alcoholism)," 2016. Urethane paint on wood, 67 x 60 x 2 inches.
"Again... The Lumpen Headache" group reading at #cueart organized by #CamelCollective currently being livestreamed on YouTube. The reading is a restaging of a series of "struggle sessions" amongst members of the Art & Language collective in the 1970s.
 

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