“在北太平洋制造一场梅雨” (zai bei tai ping yang zhi zao yi chang mei yu, or, when translated into English, making a stationary rain on the North Pacific Ocean) was the phrase that came to mind for Mo Kong as the artist embarked on a research trajectory addressing relationships between migration, ecology, land use, climate change, human rights, trade wars, censorship, and the geo-politics of neo-nationalism and colonialism. Set within a Cold War period prophesized for a proximate future, Making A Stationary Rain On The North Pacific Ocean composes a weather report on the human condition, ever in the making.