On the floor, in a corner at the meeting of two otherwise blank walls, conspicuously trying to not draw attention to itself, is a little chunk of Stephen Andrews’ pottery. It’s just three different coloured squares, though depending on your point of view, it seems like either a jutting cube or an inverted framing of the convergence. It might be the most representative piece in POV, the Art Gallery of Ontario’s survey of the past 15 years of Andrews’ work.

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