Image Portfolio Reviews
With Anaïs Duplan, KJ Freeman, Lia Gangitano, and Daniel J Sander
Tuesday, March 2, 2021
20 Minute appointments between 3pm-6pm (ET)
Artists can sign up for a single 20-minute one-on-one meeting with one of four professional consultants to whom they can present a selection of up to 10 images for feedback. In the spirit of critique, consultants will not review images in advance but will respond in the moment of encounter. Reviews will be conducted over Zoom. To register, please sign up for an appointment via the link below. Appointments are limited to one per person.
***Please note, this review is exclusively for artists who do not have graduate degrees and are not currently enrolled in an academic program.***
This event is currently at capacity. If you would like to join the waitlist, please click through to complete the form below. You will be contacted by email if there is an opening.
If you have access questions or needs for the event, please contact info@cueartfoundation.org and we will do our best to accommodate you.
Anaïs Duplan is a trans* poet, curator, and artist. He is the author of a book of essays, Blackspace: On the Poetics of an Afrofuture (Black Ocean, 2020); a full-length poetry collection, Take This Stallion (Brooklyn Arts Press, 2016); and a chapbook, Mount Carmel and the Blood of Parnassus (Monster House Press, 2017). He has taught poetry at the University of Iowa, Columbia University, Sarah Lawrence College, and St. Joseph’s College. His video works have been exhibited by Flux Factory, Daata Editions, the 13th Baltic Triennial in Lithuania, Mathew Gallery, NeueHouse, the Paseo Project, and will be exhibited at the Institute of Contemporary Art in L.A. in 2021. As an independent curator, he has facilitated curatorial projects in Chicago, Boston, Santa Fe, and Reykjavík. He was a 2017-2019 joint Public Programs fellow at the Museum of Modern Art and the Studio Museum in Harlem. In 2016, he founded the Center for Afrofuturist Studies, an artist residency program for artists of color, based at Iowa City’s artist-run organization Public Space One. He works as Program Manager at Recess.
KJ Freeman is an artist, curator, abuse survivor, and owner of HOUSING Gallery in Manhattan's Lower East Side.
In 2001, Lia Gangitano founded PARTICIPANT INC, a not-for-profit art space, presenting exhibitions by Virgil Marti, Charles Atlas, Kathe Burkhart, Michel Auder, Robert Boyd, Julie Tolentino, Breyer P-Orridge, Renée Green, Hunter Reynolds, Vaginal Davis, Kembra Pfahler, Jeffrey Gibson, Justin Vivian Bond, Greer Lankton, Ellen Cantor, Baseera Khan, Narcissister, and Tuesday Smillie, among others. As curator of Thread Waxing Space, NY, her exhibitions, screenings, and performances included Spectacular Optical (1998), Luther Price: Imitation of Life (1999), Børre Sæthre: Module for Mood (2000), and Sigalit Landau (2001). She is editor of Blood and Guts in Hollywood: Two Screenplays by Laura Parnes, Dead Flowers, and M Lamar: Negrogothic. As associate curator, she co-curated Dress Codes (1993) and Boston School (1995) for The ICA, Boston, and edited New Histories (with Steven Nelson, 1997) and Boston School (1995). She has contributed to publications including Carol Rama: Space Even More than Time; Renée Green, Endless Dreams and Time-based Streams; Lovett/Codagnone; Whitney Biennial 2006-Day for Night; and 2012 Whitney Biennial on Charles Atlas. As curatorial advisor, her exhibitions at MoMA PS1 included Lovett/Codagnone, Interruption of a Course of Action, and Lutz Bacher, My Secret Life (2009). She currently teaches at the Center for Curatorial Studies at Bard College, where she curated, with Ann Butler and Jeannine Tang, The Conditions of Being Art, Pat Hearn Gallery and American Fine Arts, Co. She is a Board Member of Primary Information; Advisory Board Member of the Outpost Cuts and Burns Residency Program and John Kelly Performance; and recipient of a Skowhegan Governors’ Award for Outstanding Service to Artists (2015), the inaugural White Columns/Shoot the Lobster Award (2016), and the Audrey Irmas Award for Curatorial Excellence (2018).
Daniel J Sander, PhD, is an independent curator and academic. Recent projects include Brontez Purnell: 100 Boyfriends Mixtape/ Episode 3: FUCKBOY ANTHEM: HOW I SPENT MY SUMMER VACATION (2020), Remote Intimacies (2020), Kalup Linzy Pride Performance (2020), the Leslie-Lohman Queer Theater & Performance Residency for Emerging Artists (2018-2020), Arch (2019), Ben Ross Davis: Endosymbiosis (2019), Alex Schmidt: Group Fail Pony Play (2018), Haptic Tactics (2018), and a special issue of the journal Women & Performance entitled “Queer Circuits in Archival Times” (2018), based on a conference of the same name he co-organized in 2016. He has taught courses at New York University and Yale University and been a guest lecturer, critic, and/or reviewer at the Rhode Island School of Design, the International Center of Photography, Hunter College, University of Mississippi, New York University, Pratt Institute, Maple Terrace, Parsons School of Design, Bard College, and the Wassaic Project. He was a 2019-2020 Curator-Mentor for CUE's Open Call.