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"For Jagannatha" by Stacey Allan

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Jim Long's painting series  For Jagannatha began with a discovery. On a visit to a friend's studio in 1988, Long found some used masking tape on the floor that was covered with translucent drips of paint, the byproduct of applying a ground coat to newly stretched canvas.

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"California Strange Fruit: Ken Gonzales-Day's 'Lynching in the West'" by Anna Meliksetian

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At first sight, At Daylight the Miserable Man Was Carried to an Oak and Golden Chain, photographs by Ken Gonzales-Day, appeal to the senses as beautiful landscapes.  That aesthetic appeal is challenged, however, by the knowledge that the distinctive trees at the center of these images have something in common: bodies once hung from their branches.

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