The works that make up John Feodorov’s exhibition, Assimilations, capture the feeling of being caught in-between destinations—geographically, culturally, and ideologically. In the paintings and prints on view, he layers intuitive gestures in acrylic and ink over collaged family photographs, historical documents, found materials, or American tourist kitsch. Elsewhere in the gallery, he creates an altar-like space with religious books from his personal archives that simultaneously represent precious family keepsakes and the tools of colonial conversion.