James Yakimicki’s paintings and drawings are fusions of landscapes omitting horizon lines, scale, and perspective in favor of aerial views and multiple vanishing points. His experiences living on the flat planes of central Indiana, the altitudinal heights of Boulder, Colorado, and the urban sprawl of New York City are incorporated into all of his works, which do not represent one place or event, but are conflations of many over time. Yakimicki introduces dreamlike elements into these environments, such as celestial formations or floating objects, and the result is alternately euphoric or nightmarish. Technology figures into his work as large mechanical assemblages, and his godlike vantage points allude to modern surveillance capabilities.