Terri Friedman’s textile panels buzz with urgency. She employs clamorous color palettes and assembles her works out of loose gestures, uneven textures, and yarn that spills out from both planes. Rogue cords dangle, droop, and gather. Often hiding in these compositions are words like “AW/FUL,” “WAKE UP,” and “ENOUGH,” signaling the personal and national anxiety that has engendered these frenetic forms. At the same time, Friedman’s work is buoyed by an ethos of optimism; her intention is to rewire and redirect the mind, and to weave pathways to pleasure and joy in tumultuous times. Gaps widen in her dense fibers, sometimes containing colored plexiglass or stained-glass pieces, letting in the light from the other side.
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