Sarah Amos: Chalk Lines is reviewed in Hyperallergic

Sarah Amos: Chalk Lines, curated by Barbara Takenaga, is reviewed by John Yau in “A Fresh Direction for Printmaking,” Hyperallergic, November 30, 2019.

Mo Kong featured in solo exhibition on view at Gertrude

Mo Kong (2019) is featured in a solo exhibition, Stray, Landing, Seeing Stiches, on view at Gertrude from November 24 – December 2, 2019.

Works by CUE alumni Wendy Red Star and Alexandra Bell acquired by the Whitney Museum

The Whitney Museum announced recent acquisitions from the 2019 Biennial, including work by CUE alumni Wendy Red Star (2017) and Alexandra Bell (2018).

Cecelia Condit profiled in The New York Times Style Magazine

Cecelia Condit (2008) is profiled in “How This 71-Year-Old Video Art Pioneer Became a TikTok Star,” The New York Times Style Magazine, November 6, 2019. This article also mentions her exhibition at CUE Art Foundation in 2008.

Mo Kong represented by Artericambi Gallery at Artissima 2019

Mo Kong (2019) is represented by Artericambi Gallery at Artissima 2019 in Turin, Italy, November 1–3, 2019.

Tyree Guyton featured in solo exhibition at Martos Gallery

Tyree Guyton (2013) is featured in a solo exhibition, Love, Sam, at Martos Gallery, on view from November 1 – December 22, 2019.

Sarah Amos: Chalk Lines is reviewed in The New Yorker

Sarah Amos: Chalk Lines, curated by Barbara Takenaga, is reviewed by Johanna Fateman in The New Yorker, November 2019.

Natasha Marie Llorens curates show at Columbia University's Wallach Art Gallery

Natasha Marie Llorens (Curator 2018) curates Waiting for Omar Gatlato: Contemporary Art from Algeria and its Diaspora at the Wallach Art Gallery, Columbia University, on view from October 26 – March 15, 2020.

Nancy Floyd at Blue Sky, the Oregon Center for the Photographic Arts

Nancy Floyd (2017) is featured in Weathering Time, a solo exhibition of black-and-white photographs at Blue Sky, the Oregon Center for the Photographic Arts, on view July 3–28, 2019.

Mo Kong: Making A Stationary Rain On The North Pacific Ocean is reviewed in CoBo Social

Mo Kong: Making A Stationary Rain On The North Pacific Ocean is reviewed in CoBo Social, “Mo Kong: Making A Stationary Rain On The North Pacific Ocean,” by Barbara Pollack, July 3, 2019.

Camilo Godoy curates performance program at Participant Inc

Camilo Godoy (2019) curates the performance program Absolute Love on Sunday, July 21, at 7PM, bringing together artists Oluwadamilare (Dare) Ayorinde, Joselia “Jo” Hughes, and Zachary Tye Richardson. The program is presented in conjunction with Visual AIDS' summer exhibition Altered After, curated by Conrad Ventur at Participant Inc, on view July 10–August 18, 2019.

Mo Kong: Making A Stationary Rain On The North Pacific Ocean is reviewed in Hyperallergic

Mo Kong: Making A Stationary Rain On The North Pacific Ocean is reviewed in Hyperallergic, “Mo Kong Maps a Post-Climate Change Future,” by Louis Bury, July 6, 2019.

Sarah Amos at Burlington City Arts

Sarah Amos: Unique Multiples, an exhibition of works on paper and textiles on view at B.C.A. in Burlington, VT. The exhibition opens June 21, 2019.

Mo Kong: Making A Stationary Rain On The North Pacific Ocean is featured in Cultured Magazine

Mo Kong: Making A Stationary Rain On The North Pacific Ocean is featured in Cultured Magazine’s GALLERY PEEPING: SUMMER BLOCKBUSTERS 2019 list. “In an immersive installation exploring a not so distant future in which China and the US are in the midst of a political cold war, Brooklyn-based multimedia artist Mo Kong creates “Making A Stationary Rain On The North Pacific Ocean.” Curated by 2019 Whitney Biennial participant Steffani Jemison, the show uses climate change as a lens through which to navigate neo-nationalism, human migration and censorship.”

Natasha Marie Llorens curates show in Münster

Natasha Marie Llorens (Curator 2018) curates a show,  “L’Intrus REDUX” at Westfälischer Kunstverein in Münster, on view from June 14-August 18, 2019.

Wendy Red Star reviewed in The New York Times

Wendy Red Star’s (2017) solo exhibition at the Newark Museum is reviewed in the New York Times, “Wendy Red Star at the Newark Museum: A Powerful Portrait of the Crow Nation” by Jillian Steinhauer, June 5, 2019.

Cal Siegel in group exhibition at Hales Gallery

Cal Siegel is included in a group exhibition at Hales Gallery, titled Vernacular Interior, on view from June 6 – July 20, 2019.

Simon Wu co-curates exhibition at The Kitchen

Simon Wu co-curates Always, Already, Haunting, "disss-co," Haunt at The Kitchen as part of the Whitney Museum of American Art Independent Study Program (ISP), on view May 24–June 15.

Camilo Godoy at Jacob Lawrence Gallery

Camilo Godoy (2019) included in two-person show, Lugar del Trabajo, with Angélica Maria Millán Lozano at Jacob Lawrence Gallery in Seattle, WA.