Filtering by Category: Essays

"Dancer, Anchor, Stage" by Mira Dayal

Added on by Lilly Hern-Fondation.

Writings about the relationships between the news, politics, and art often repeat that art cannot possibly react to the news as quickly as the morning Times; that art cannot affect change or influence current events with the same efficacy as, say, street protests, elections, or nationally televised speeches. Godoy’s embodiment of the figure of the newscaster is not an attempt to make art as effective or responsive as the news per se. Rather, it is a method of slowing down the news, allowing it to tickle the spine, to disturb the mind, to be repeated, to be fragmented and reconstructed. Alternate stories emerge. Parallel lines are uncovered.

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"The Visible Hand" by Rachel Valinsky

Added on by Sharmistha Ray.

This essay was written in conjunction with The Visible Hand, curated by David Borgonjon, on view at CUE January 7 – February 15, 2017.

Let’s begin by dismissing the notion that a purely agonistic relationship between the artist and the institution still holds. Such a strict opposition, if it ever applied, has eroded, revealing the increasing degree to which the notion of an outsidean alternative sphere of production and circulation, safe from the reaches of institutional and corporate strongholds—also must crumble. Artists today operate as administrators and consultants, grant writers and promoters, developers, coders, and graphic designers; they ride the wave launched in the sixties and accelerated in the nineties of the diversification of the labor force within the arts, a diversification that ceaselessly draws art practices closer to non-art professions.

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