Deadline for 2020 exhibitions TBA
View a recording of 2018 info session
Application fee: $10 / free for members
With the aim of encouraging curatorial research in tandem with exhibition planning, the Curatorial Project Open Call provides one deserving curator or curatorial team the necessary resources to realize an innovative project in CUE’s space in 2020. CUE provides institutional guidance and resources to the curator, who produces a group exhibition with related public programming and an accompanying exhibition catalogue.
The selected curator will receive valuable mentor support from an established artist or curator on the selection panel, including installation guidance in preparation for the exhibition. In addition, the curator will be awarded a $2,500 honorarium; a budget of $2,500 to divide amongst participating artists and program speakers; and a production budget of $2,000.
Proposals are evaluated on merit of project, singularity of concept, and adherence to the application guidelines. All applications submitted will be considered final and treated as such. Applicants will not be permitted to add or edit an application once it has been submitted. All incomplete or duplicate applications will be disqualified.
Proposals must be conceptually rigorous and focus on artists, projects, and themes that are innovative, challenging, and engaging.
Extra consideration will be given to proposals that demonstrate a creative approach to curatorial research methods and the exhibition plan, as well as those that present ideas or topics that are not well-represented in the commercial sector.
The proposal must include four or more artists, half of whom must qualify as under-recognized (no gallery representation and no solo exhibitions in a major venue within the past five years).
Curators may not include their own work in the exhibition.
The curator and proposed artists may be of any nationality, but must currently reside in the United States.
Extra consideration will be given to those in the beginning stages of their curatorial careers.
CUE strongly encourages applications that contribute to our ongoing commitment to diversity.
Short synopsis of proposed project – up to 60 words
Detailed exhibition proposal that outlines both the concept and plan for the exhibition – up to 1000 words
List of at least four participating artists and short bios for each
A completed Budget Worksheet form (see resource list)
Work samples - IMAGES:
Upload at least one image per artist (up to 15 images total). Images must be submitted as JPEG, PNG, or PDFs, with filenames formatted as: ARTISTLASTNAME_1.jpeg. Images should be optimized for web/screen preview and no larger than 2MB each.
A detailed work sample list formatted as follows:
- Filename (eg. ARTISTLASTNAME_1.jpg)
- Artist name, artwork title, year, medium, dimensions
- Any additional description
Work samples - VIDEO/AUDIO:
If applicable, please provide URL links for video and time-based work. Vimeo is preferred for video. Soundcloud is preferred for audio. Please note: Video/audio samples exceeding 3 minutes may not be viewed in their entirety. For longer pieces we recommend creating an excerpt or providing a cue point in the notes.
Include the following information:
- Password (if applicable)
- Artist name, artwork title, year, duration
- Any additional description
All applications submitted will be considered final and treated as such. Applicants will not be permitted to add to or edit an application once it has been submitted. All incomplete or duplicate applications will be disqualified.
For additional information, please contact Lilly Hern-Fondation, Programs Assistant: firstname.lastname@example.org.
PAST CURATORIAL OPEN CALL SELECTIONS
Original Language, curated by Natasha Marie Llorens
September 6 - October 11, 2018
Original Language presents the work of six artists who are invested in the relationship between language and violence. Through their work, they are searching for ways to make language testify to some socio-political injury that is otherwise structurally invisible most of the time: heteronormativity, media-bias, structural racism and sexism, psycho-normativity, the foundational nature of slavery to the US economy, and US-backed authoritarianism abroad.
The artists presented use language that pictures discourse issuing from a wound, from a disaster, from a war, from an aporiae or an empty center. This is the problem the exhibition addresses: how can we keep showing up to speak about the injury, over and over? How do we talk about this?
Participating Artists: Wilder Alison, Alexandra Bell (pictured), Al Freeman, Ariel Jackson, Shellyne Rodriguez, Leah Moskowitz.
Panelists for the 2017 Open Call were artist, Kate Shepherd; independent curator, Larry Ossei-Mensah; and Chief Curator at the Museum of Arts and Design, Shannon Stratton.
The Visible Hand, curated by David Borgonjon
January 7 - February 15, 2017
Drawing on a business history term for management—the visible hand—as a corrective to the invisible forces of the market, this show posits art as a form of managerial practice. After all, artists already live, breathe and work as single-person institutions.
The artists presented in The Visible Hand set aside the too-convenient narrative of art as an oppositional critique of corporate management, and propose art as existing within and alongside institutions rather than outside of them. The works here reflect on the entire process of artistic production, from early socialization to the arts education system to market pressures to systems of distribution, consumption and storage.
Participating artists: Chloë Bass, BFAMFAPhD, Maureen Connor, Devin Kenny, Jen Liu.
Panelists for the 2016 Open Call were Herb Tam, Curator and Director of Exhibitions at the Museum of Chinese in America; Michelle Grabner, artist and writer; and Leslie Hewitt, artist.
Radical Plastic, curated by Rachel Reese
July 16 – August 20, 2016
Radical Plastic features artists who employ formal aesthetic languages to address more human contexts such as the body, gender, and domesticity, as well as certain domestic constructs—in particular, the still life. Plasticity represents a state of in-between-ness, or alternate suggestion, in these seemingly minimalist artworks—works that are almost unassuming in their physicality, but are guided by individual visual languages and approaches. Each artist advocates for her radicality, and by exploring potential humanist contexts, they therefore offer new futures.
Participating Artists: Becca Albee, Carolyn Carr, Catherine Czacki, Rachel Debuque, Carson Fisk-Vittori, Michelle Grabner, Mia Goyette, Ria Roberts, Carolyn Salas.
Panelists for the 2015 Open Call were Cecilia Alemani, Donald R. Mullen, Jr. Director & Chief Curator of High Line Art; Renaud Proch, Executive Director of Independent Curators International (ICI); and Rujeko Hockley, Assistant Curator of Contemporary Art at the Brooklyn Museum.